Praise for "Autobiomythography & Gallery"

 

"Joe Millar’s Autobiomythography & Gallery is the best new book of poetry read by this reviewer this year. It is incredibly strong....This is great poetry."
--Matt Soucy, coldfront magazine

"This is a dense and wonderful collection. More than any other collection I’ve reviewed this year, I can see myself returning to Millar’s poems."
--CL Bledsoe, Ghoti Magazine

"In his passionate response to Jonathan Franzen ("Why Experimental Fiction Threatens to Destroy Publishing...." Harper's), Ben Marcus outlines a new writer, one who is more concerned with tricking out his reader's Wernicke’s area—a part of the brain that processes language—than delivering anyone through a nifty but necessarily diminutive story. Marcus hails "writers who have pounded on the emotional possibilities of their mode," who "bend the habitual gestures around new shapes." I celebrate every time a book with Marcus' sensibilities rolls off the press. Joe Millar's first collection of poetry...is such a book. Millar's sense of language is striking—nearly perfect, in some poems. He seems to be after what might be called "the new get"—"get" as in "I don't get it." Autobiomythography is remarkable as a response to that frustrated quandary; spending just a few minutes with the book promotes the sense that there is, in fact, something important to understand there..."
--Adam Robinson, JMWW

 

Samples:

What is Given

Gin

Autobiomythography

 

 

 

You can purchase the book from Amazon by clicking here.

Millar’s stunning debut explores and collides the dual experiences of self and world in a language and music superbly calibrated. There is an authority of voice and a sweep of experience that graces each of these beautifully made poems.
— Stuart Dischell, authur of Backwards Days, Dig Safe, Good Hope Road and Evenings & Avenues

Inventive and eclectic, Millar’s poems home in on the order in the chaos.
— J. C. Hallman, author of The Chess Artist and The Devil is a Gentleman

I am especially moved by the series entitled “Memory of the Body,” finding in each a living portrait of one cognizant and honest in the minutes of his life.
— Claudia Keelan, author of The Devotion Field, Utopic and The Secularist